Color is one of the fundamentals that design is built of. It can be a powerful tool in the expert’s hands affecting numerous factors that are vital for the compelling visual perception. Color has a significant impact on our minds. It changes the way we feel about an object within a few seconds as well as makes people react and even take certain actions.
At first sight color science may seem not that difficult to master but diving into the details it’s obvious that there are many peculiarities which demand to be comprehended. In the article Color Theory: Brief Guide For Designers, we touched upon the basics of the science helping designers in their craft. Today we gathered a handy glossary with the essential terms of the color theory which will help graphic and UI designers get a better understanding of how color works.
Before we step any further, it’s important to figure out the essence of color itself. The Merriam-Webster dictionary defines it as a phenomenon of light (such as red, brown, pink, or gray) or visual perception that enables one to differentiate otherwise identical objects. Simply put, color is a quality of an object which is caused due to the light being reflected or emitted by this object. Color can be verified visually by measurement of its properties such as hue, saturation, chromaticity, and value. To gain proper awareness of color meaning let’s define its characteristics.
The term hue is often mistaken for the color so it needs to be cleared out. First, we should understand that “color” is a general term that people use to name all the hues, tints, and tones. On the other hand, a hue is exactly the thing we mean asking “what color is it?”. Basically, it is a family of twelve pure and bold colors presented on the color wheel.
A hue serves as a basic material that can be transformed in three different ways – tinting, shading, and toning. Depending on the applied technique, a hue is modified into tint, shade, or tone.
They are easy to distinguish. A tint is created by mixing a hue with white, while a shade is a mix of a hue and black. Toning is a more delicate process because it requires adding both black and white the reason why the results may seem more natural than shades and tints.
As we said above colors have certain characteristics by which they can be recognized. Value is a property telling how light or dark a color is. The characteristic is defined by the level of whiteness. The more white has been added to a hue, the higher the value it receives.
Chroma, or chromaticity, shows the purity of a hue. The characteristic is measured by the presence of white, grey, or black in a color. Twelve basic hues described above have the highest level of chromaticity since they don’t contain any additional elements. Colors with high chroma usually look bold and vivid.
This characteristic has much in common with value and chroma, so sometimes they may be mistaken. Still, it’s vital to understand the differences. Unlike two previous properties, saturation doesn’t apply to mix hues with any other colors. It is about how a color looks under different lighting conditions. Saturation describes how bold or pale color is according to its look in the daylight and weak light. The property is also known as the intensity of a color.
If you had any lessons related to painting, you must have seen the circle consisting of different colors. It is called the color wheel and helps to understand how different colors relate to each other and how they can be combined. The color circle is usually built of primary, secondary and tertiary colors which are also known as hues.
The color circle was created in 1666 by Isaac Newton in a schematic way and since then it has gone through many transformations but still remains the main tool for color combination. The idea is that the color wheel must be made that way so colors would be mixed appropriately.
They are three pigment colors that cannot be formed by any combination of other colors. The primary colors serve as the basis of a whole system. The primary colors vary depending on the type of color system. A subtractive system is based on cyan, magenta, and yellow, while red, green and blue colors form the additive system. And the painting system RYB includes red, yellow and blue.
These colors appear by the combination of two primary colors. Since each system has different basic colors, the secondary colors vary too. Here is a schematic explanation of secondary colors appearing in each system.
- green red=yellow
- red blue=magenta
- blue green=cyan
- yellow magenta=red
- magenta cyan=blue
- cyan yellow=green
- yellow red=orange
- red blue=purple
- blue yellow= green
The mix of the primary and secondary colors gives us the tertiary colors which usually have two-word names such as red-violet or yellow-orange.
Cool, warm and neutral colors
All the colors we described above can also be divided into three types: cool, warm and neutral.
Cool colors are the ones on the green-blue side of the color wheel. They are called cool since they bring the feeling of cold. Warm colors are opposite to the previous due to the warm associations which they possess. Yellow, orange, and red are the hues relating to the warm type. Last but not least, neutral colors are absent on the color wheel including gray, brown and beige.
Health Blog using a warm palette
RGB color system considers red, blue, and green as primary colors. The system is the basis of all colors used on the screen. The combination of primary colors in equal proportions of this system produces secondary colors which are cyan, magenta and yellow, but you need to remember that the more light you add, the brighter and lighter the color becomes. Results obtained by mixing additive colors are often counterintuitive for people accustomed to the subtractive color system of paints, dyes, inks and other tangible objects.
RYB (red, yellow, blue) is also known as a painting color system often used in art education, especially in painting. It served as a foundation for the modern scientific color theory which determined that cyan, magenta, and yellow are the most effective set of three colors to combine. This is how the color model CMY has been formed.
The system CMY has been modified with the appearance of the photomechanical printing. It received the key component meaning black ink and the system was named CMYK (cyan, magenta, yellow, and black). Without this additional pigment, the shade closest to black would be muddy brown. Today this color system is mostly used in the printed design.
The color balance is vital in design since users make their impression of the website or application by the first look, and colors have a big influence. Designers distinguished the basic color schemes, aka color harmony, which works effectively.
It is based on one color with various tones and shades of it. The monochromatic harmony is always a winning choice since it’s hard to make a mistake and create a distasteful color scheme.
To create analogous harmony, you need to use colors located right next to each other on the color wheel. This type of color scheme is used for the design where no contrast is needed including the background of web pages or banners.
The complementary scheme is the mix of colors placed in front of each other on the color wheel. This scheme is the opposite of analogous and monochromatic since it aims to produce high contrast. For example, the orange button on the blue background is hard to miss in any interface.
This scheme works similar to the previous one but it employs more colors. For instance, if you choose the blue color you need to take two others which are adjacent to its opposite color meaning yellow and red. The contrast here is less sharp than in complementary scheme but it allows using more colors.
When the design requires more colors you can try a triadic scheme. It is based on three separate colors that are equidistant on the color wheel. To save the balance in this scheme, it is recommended to use one color as a dominant, the other as accents.
The tetradic color scheme is for experienced designers since it is the most difficult to balance. It employs four colors from the wheel which are complementary pairs. If you connect the points on the chosen colors they form the rectangle. The scheme is hard to harmonize but if you do everything right, the results may be stunning.
Let’s sum up with the prosaic quote by RyPaul: “The whole point is to live life and be – to use all the colors in the crayon box.” Learn how to use colors effectively both in your life and work and the results will please you.
Color Theory: Brief Guide For Designers
Design for Diversity of Cultures: Color Perception
Color in Design: Influence on User Behavior
Design Tips: How to Choose Colors for Interface
3C of UI Design: Color, Contrast, Content
How Shape and Color Work in Logo Design
Originally published in Tubik Blog