The proportion for Golden Ratio is 1:1.618. It is a mathematical equation that has found its way into design practices as well. The golden ratio has been scientifically proven beautiful. The best example to understand the importance of the Golden Ratio can be traced back to one of the most famous paintings: the Mona Lisa.  The painting itself uses the golden ratio.

Some other names for Golden Ratio are The Golden Section, Golden Mean, or the German letter “phi”. It is a useful number that helps create beautiful designs. The way Golden Ratio differs from other design practices is that design generally is led by instinct and creativity. Whereas the Golden Ratio has a different approach. It uses mathematical approaches to transform your images, layouts, typography and many more design practices.

## The Fibonacci sequence:

This sequence is the sum of two numbers before it. Greeks tossed this practice. It used to help them form a visual pattern to help with their design. After you’re done, turn the sequence into squares and put them side by side and you’ll create a spiral of rectangles. This is known as the Golden Spiral. What’s amazing is that though this is a mathematical equation, there are a lot of natural instances that show the presence of this concept in their structure as well. Natural calamities, flowers and even shells, everything has a hint of the golden ratio. A Fibonacci sequence would look like 1, 1,2,3,5,8,13, 21.

## Golden Ratio in Graphic Design:

Golden Ratio adds structure to design, which otherwise has an expressive nature.  An easy hack of applying the golden ratio to any element is multiplying the size of the element by 1.618 for figuring out the size of another element or overlay the Golden Spiral for adjusting their placement.  The golden ratio can be used for typography, images and much more.

## 1.Using Golden Ratio for Typography:

Typography refers to the art or technique of arranging type for making the written language legible, readable and appealing when displayed. Adding hierarchy in your layout adds structure and flow to your design. You can use typography for wedding invitation or also for website layout. At first glance, it might not be possible to imagine any correlation between typography and mathematics. However, typography is a blend of letter forms and mathematical proportions.

Three factors are crucial to typography; font size, line width and line-height.  All these aspects need to be in proportion to each other.  By achieving proportion in these three elements, the content you want to put forth would be very appealing to your readers on websites, or even blogs. By tweaking the font size and the content width, you can get an understanding of what the font height should be.  A 70-80 CPL-Characters Per Line, is considered comfortable for reading. If the content is too lengthy, the readers would lose out on the natural flow and find it challenging to find the start of the next line.

Golden Ratio can also be of help to have a guide for typography sizes.  If you breakdown a three-line text by importance in three sections named A, B and C you’d be able to understand the golden ratio a whole lot better. Suppose C is the least important piece of information you have, and you use the size 10 px for its content. If you need to figure out what size of the text to use for more critical text B multiply the font size of C by 1.618.

## 2. Adding to the Image Structure:

Photographers always have a guiding principle that they use when they click photographs. There are many guiding principles in photography that helps photographers better frame their picture.  One such guideline or rule is known as The Rule of Thirds. The rule of thirds essentially is dividing a composition into 9 equal parts, by dividing the frame with two equidistant vertical and horizontal lines. The points where these lines intersect are known as intersection points. The idea of using the rule of one third is that the subject should be placed on the intersection points in a way that the subject only takes up 1/3rd of the frame. This can also be done in post-editing using grid lines. Another such guideline is the Golden Ratio.

Golden Ratio works best when you are trying to create a perfect sense of harmony in your images. Now unlike the rule of thirds, using golden ratio when clicking could be a little trickier, especially when you’re new to the concept. Hence using the Golden Spiral in post-production is one of the best ways to go around it.  Overlay the spiral on top of your image. This would help you see which elements of the picture sit where and if they’re creating harmony together. It also allows you to identify focal points and where they need to be. It can also be used to understand which elements need to be moved for giving the design more energy.

## 3. For creating Logo Design:

Logos are one of the most critical aspects of business identity. It helps new potential customers identify your brand, and old customers to retain your services and products through your logo. A brand logo helps create the first impression of the business’ values and relevance to its audience.  It is the first interaction anyone has with a brand as logos are more visual than texts. This is why it is very important to have a great logo that delivers what the brand stands for at its core in a single glance.

One good practice for creating spectacular logo designs is using the Golden Ratio. Using the Golden Ratio for designing logos help people instantly connect to the brand. An excellent example of this would be how many famous brands like Twitter, Apple, even Pepsi have been using it to design their logo.

You can also make use of the Fibonacci’s Sequence to create logos. Initially, start by creating a circular sequence using the Fibonacci’s Sequence and then rearrange them for forming a grid that would work as the basic framework for your logo design.

## 4. Golden Ratio and Architecture:

Architecture refers to the art of creating designs for buildings and constructing them as well. Ancient Greek architecture has been using the Golden Ratio to create its beautiful monuments. These monuments always seem to have dimensional relationships between their width and height.  The entire building gives a sense of being in perfect proportion. Famous polymath Leonardo da Vinci himself has used the golden ratio to create some appealing compositions in his times. Even the most famous painting The Last Supper the characters are arranged in the lower two-thirds of the golden ratio. Also, the position of Jesus is perfectly placed by arranging golden rectangles throughout the canvas.

Taj Mahal is known to be one of the Seven Wonders of the World. It also used Golden Ratio for its design. The central building of the Taj Mahal was designed using the Golden Ratio. The rectangles helped create the basic outline for the exteriors of the building, which were all in the Golden Proportion.

Using the golden ratio in architecture helps bring a sense of balance and height to the structure.  Any building that seems well balanced naturally draws attention towards it. One of the most simple manners to reflect balance in a building is by using the Golden rectangle principles.  Another advantage of using the Golden Ratio is it allows you to create various shapes. You don’t need to stick to box-shaped or rectangular structures. The golden ratio uses those shapes as a base to guide your design. Still, you can easily incorporate various other shapes. You need to make a few changes to the golden rectangle to turn the building into any shape you desire.  A few derivatives that architects usually use are the Golden Triangle and a Logarithmic Spiral.

## 5. Designing and Creating  Layouts:

Layouts are the system arrangement of various elements on a page that usually refers to a specific placement on text, image and the style. It is essential to understand layouts because a wrongly worked layout would lead to inaccurate delivery of the message you want to convey. A good layout is essential to convey the message effectively. Not only this but a proper layout would help enhance the look of a particular object individually and also as a whole. Hence for successful layouts, the two criteria that need to be kept in mind are individual visual elements and their relationship.

There are many layout options available to designers.  One of them is the “Z” layout which takes inspiration from the letter “Z” itself. It generally shows the path that a reader sees the elements on a page or a design.  Another layout principle is the Golden Ratio. Golden Spiral works best when you have many elements that might differ from each other to be arranged in a single layout. It is seen that people are naturally drawn to the centre of the spiral when witnessing a golden spiral. This gives us the insight to place the most important element in the centre of the spiral

## 6. The presence of Golden Ratio in Human Face:

Front face: It is interesting how prevalent the golden ratio is. For understanding its relevance, it is important to realize that even our faces draw from the concept of the golden ratio. The head makes a golden rectangle, and our eyes become the central point. The nose and the mouth are both situated at the right sections of the distance of the chin and eyes.

Side Face: If you look at a human head from the side, it illustrates the Divine Proportion. The first golden section that is at the front of the head defines the ear opening position. Then successive golden sections define different parts of the face, like the neck, the back of the eye, and front of the eye guiding back to the nose and mouth.

The human face has several instances of the divine proportion.  The centre of the pupil is proportional to the bottom of the teeth and bottom of the chin. The outer and inner edge of the eye is proportionate to the centre of the nose. Our outer edge of lips complements the outer ridges of lips.  The width of the iris is proportional to the width of the iris.

Understanding the Golden Ratio can be very helpful for design practices. It is a mathematical approach to design that stands out from other design practices. It is prevalent in many aspects of life naturally as well. Since it is naturally available in so many instances, we tend to appreciate any design that uses its principles many times without even realizing it.  Just remember the constant ratio 1:1.618 and keep using it in different instances and places.

Designers love to know as many tips as possible. A great tip would be to accomplish great design with the least amount of personal interpretation. Am I right?

Using the golden ratio in design allows just that: the pleasant feeling of something being just right, regardless of who’s watching.

## What is the Golden Ratio

Golden Ratio is a natural ratio found everywhere. From flowers to shells, from our fingers to the galaxy, this mathematical ratio makes all forms look visually balanced and gratifying.

It’s also referred to as the Golden Section, Golden Mean, Divine Proportion, and the Greek letter Phi.

As a number, the golden ratio is approximately 1.618, and not surprisingly, it’s tied to the Fibonacci sequence.

This sequence is the sum of two numbers before it, and it starts as 0, 1,1, 2, 3, 5, 8, 13, 21, up to infinity.

The higher the Fibonacci numbers are, the more their ratio becomes closer to the golden ratio. For instance, 377 and 610. Dividing the later by the first, we get the actual golden ratio number: 1.618.

As a visual representation, these numbers can be used to create a sequence of rectangles, which also allow producing the Golden spiral.

## The golden ratio in design: how to use it

When used in design, the golden ratio creates a balanced and organic composition.

Let’s imagine that you need to start your design by creating a line. Next, you copy it and divide it into two parts, getting two shapes a) the first line, and b) the second one.

Now if you take a) and divide it by b) you will see that it equals to 1.618, and it’s also equal to a) b) divided by a).

I know it can be a bit confusing at first, but once you get it, you can take advantage of this ratio, and use it for everything. From shapes, type, logos, layout, you name it.

## Typography, and layouts

If you’re anything like me, you’re always a bit unsure on how to balance type. But guess what? The answer is also in the Golden Ratio.

Start with one size of copy that feels right to you. Let’s say you have a body with a 10px size. Multiply that number by 1.618, and you’ll have the perfect balanced header text size (in this case would be 16px).

The opposite is also applicable. You can start by the header size and divide it by the golden ratio number to obtain the body copy size.

As for layouts, consider using rectangles or circles that respect the golden ratio proportion. I can guarantee that it will help you to hierarchize the information as well as to make it more balanced.

## Icons, shapes, and logos

Like we’ve seen before with lines, you can use this rule to construct different shapes. It will help with icons and logos when you want them to feel more geometric, and even.

National Geographic, Toyota, and Pepsi follow the Golden ratio proportion. So it’s time you experiment with it as well!

## 5 Tools to use the Golden ratio in design

Now you already know what is it for and how to use it. But you cringe at the time that it will take you to do all the calculations. You want to do it quickly and easily instead.

I know you would probably think that, so I did some research to help you out.

1. Golden Ratio Calculator

This calculator does the math for you. You insert one of the values: the shorter, longer or the full length of the line, and let it do the rest of the calculations for you.

2. Golden Ratio Generator for Images

When you want to crop an image but still make it balanced, you can use the golden ration. Luckily, this image generator will help you ensure that you keep the right proportions.

3. Vector Template for Illustrator

It’s not an online tool, but it will be very useful when designing in Illustrator. Instead of constructing your golden ratio template, consider using this one first.

4. Typography Calculator

You already know how to have the right proportion between fonts. However, in some cases, you also need to adjust it to the content width (especially in web design).